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Improv Comedy Mistakes and Opportunities
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Repetition Repetition
There’s a cliché passed around Jazz teachers that if you make a mistake in a solo,
do it again. What could have been a plain old-
I used to be petrified of committing mistakes in shows. I would berate myself viciously for forgetting names of characters or for stuttering or (in what I thought was humiliation beyond anything) falling down really spectacularly and so not on purpose on stage. While beating myself up internally, I’d hope that the audience or the other players didn’t notice. I’d pretend nothing happened.
The audience, though, always notices when an actor slips up. The beauty of improv
is that because we lack a script and blocking, there can’t ever be a true misstep.
Instead, it is only a blunder when the improvisers fail to utilize it. There was
a wonderful show I saw where a janitor’s name was forgotten by one of the characters
(a high-
In the course of the Harold, every character the janitor came in contact with forgot his name and the deep pathos and bitterness of the janitor unfolded with a comical explosion at the end. Imagine if the improv team had been so mortified by the name change that they ignored it and hurried along to something else. It wouldn’t have been as organic or funny and the audience and players would’ve felt cheated.
It turns out that these so-
Mistake? What mistake…
Author: Anonymous
Mistakes and Opportunities create improv magic. Catching the moment means acknowledging the unknown and known.